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Logic Pro X vs Ableton Live 10 | Which DAW is better? - Studio Slave. |
Ableton vs Logic: Which DAW is Better and Why - Artists Who Sound Like: Kölsch
Both Ableton Live 11 and Logic Pro feature the ability to add a video to the session. This is especially useful for creating soundtrack music or re-editing tracks for sync licensing.
Apple is betting big on spatial audio with the introduction of Atmos to Apple Music in Live is a bit more limited in this respect, but Ableton recently released a Surround Panner device for their Max for Live modular environment more on that in a second that helps for mixing in these formats.
Max for Live is an edition of the software built to run inside Live. Even with the high price, Live is still worth every penny. However, Logic Pro is cheaper overall. Hot tip : Many beginner and intermediate music production products come bundled with an introductory version of Live. Ableton works just as well on either platform, so it might be high on your list if you use a PC for production.
When it comes to hardware, Ableton has a handful of specialized controllers that have been developed to let you go hands-on with all its features. It was built by the Ableton team to be the perfect hands-on companion to Live. Hot tip : Although Live is known for its use in performances, Mainstage is the companion app to Logic that many musicians use as a VST host to perform live.
Check out our VST Host breakdown to see how this type of app functions in a live setting. Not only that, but Logic Pro Before we start, though, a few points of note…. Indeed, Ableton have done a sterling job of keeping this fundamental part of the system free of clutter. And, of course, prior to Logic Pro With Logic Pro now boasting its own well thought-out and tightly integrated take on the same concept in the shape of the Live Loops Grid, however, that edge has been blunted.
Before we mail the trophy to Cupertino, though, Live still has one feature that keeps it firmly at the top spot for on-the-fly loop recording and launching: Follow Actions. Live differs from Logic in that it gives equal weight to sound design and mixing processors. Depending on your major plugin requirements, this round of our face-off might go either way: Live is best used for sound design, and Logic is best used for mixing. Effects category is a draw! However, there are significant variances….
On the other hand, Live is about as lean and mean as DAWs come, with its less stratified, comparably approachable interface and the speed with which a seasoned user can jet about its Session and Arrange Views, Sample Editor, and Piano Roll is a special part of the software. Back over the pond, Logic is known for its unrivaled key commands scheme, which allows users to customize a huge number of shortcuts to fit their own tactile demands, no matter how bizarre.
Both companies have dedicated controllers for their DAWs. DAW workflow, in our opinion, is all about getting things done as quickly as possible. By that criteria, Live is the clear winner in this round of the competition. The winner of the workflow section is Abelton. Clearly, Apple and Ableton are approaching this music software nonsense from two very different viewpoints, with a significant price discrepancy. The winner for the value is Logic. While it is much slower and tends to be used less by professionals, it is FREE!
It comes with many plugins available and over 50 built-in sounds. Another alternative to mention is Studio One 5. Studio One 5 works well in many applications, but it works best with arrangement and composition due to its powerful ability to turn MIDI data into sheet notation.
The suite also features strong integration with hardware, making it easier to use outboard gear —specifically considering the DAW controller PreSonus built for the program. Budget is obviously important to all of us, but purchasing a DAW is an investment in your future. On top of this, this may mean you have to spend money on a second DAW in the future if you rushed your decision.
Opening a new DAW can be an incredibly daunting experience. You are instantly met with an array of windows, menus and controls, with absolutely no idea where to get started. Each DAW has their own separate learning curve. Some offer a more linear, beginner-friendly interface, while others definitely take some time to get used to.
To help out beginners and often even advanced producers both Ableton and Logic Pro offer on-board explanations of each control and production module. In Ableton, simply hover your mouse over something and a brief description will appear in the bottom left corner of the screen.
From my experience, producers with no prior knowledge of music creation seem to pick up Logic way faster than almost any other DAW. This seems to be primarily down to the spacious, clear layout and module arrangement. The developers clearly put a enormous amount of effort into the spacial design, making it not only highly intuitive, but rapid and responsive.
Ableton vs Logic Pro | Which is right for YOU? ( Comparison) - Producer Sphere.
Before the release of Logic Pro Not only that, but Logic Pro Before we start, though, a few points of note…. Indeed, Ableton have done a sterling job of keeping this fundamental part of the system free of clutter. And, of course, prior to Logic Pro With Logic Pro now boasting its own well thought-out and tightly integrated take on the same concept in the shape of the Live Loops Grid, however, that edge has been blunted. Before we mail the trophy to Cupertino, though, Live still has one feature that keeps it firmly at the top spot for on-the-fly loop recording and launching: Follow Actions.
This seemingly innocuous little Clip View control panel gives producers and live performers the means to automate and randomise clip launching within Scenes — something no other DAW can do. So Live nabs this one. Alchemy — once a pricey third-party instrument, until Apple bought its developer, Camel Audio — is the more overtly powerful of the two, taking in additive, granular and analogue-style synthesis, with four simultaneous sources, tons of filters and copious effects.
Wavetable certainly holds its own, though — a two-oscillator plus sub wavetable synth with over well crafted wavetables onboard, two filters, comprehensive modulation options, and a supremely accessible interface and workflow, that sounds phenomenal.
For us, those two factors tip the scales. These newcomers joined an already impressive line-up of distortion, dynamics, equalisation the integrated Channel EQ is particularly good , reverb, delay, modulation and other effect types to give you absolutely everything you need to get the mixing job done. This round in our face-off goes either way, depending on your primary plugin needs: Live for sound design, Logic for mixing.
But there are also marked differences…. In contrast, with its less stratified, comparatively accessible interface, Live is about as lean and mean as DAWs get, and the speed with which the seasoned user can fly around its Session and Arrange Views, Piano Roll and Sample Editor is something to behold. Back across the pond, Logic is famous for its unrivalled key commands scheme, with which a vast array of shortcuts can be customised to suit the specific tactile needs of the user, no matter how eccentric.
This amazing hardware controller features an RGB backlit pad grid for versatile melodic and percussive note input, a bank of contextual buttons and rotaries for mixer and plugin control, and plenty of buttons for governance of Live itself — a truly spectacular fusion of hardware and software. Clearly, Apple and Ableton are coming at this music software malarkey from two wholly alternative perspectives and with a pronounced disparity in terms of pricing flexibility.
Ultimately, Live 10 and Logic Pro are both comprehensive in their provision of MIDI and audio recording, editing and mixing facilities, bundled plugins and brilliantly realised workflows, so deciding between them comes down to three things. First, the kind of music you make. Second, what kind of producer are you? Do you like to keep your sessions creative and fast-moving, or are you more of a tinkerer, happy to take your time finessing sounds and arrangements, but requiring the most powerful engineering tools you can get your hands on to do it?
Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite. Computer Music opens in new tab opens in new tab. More Info.
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